DeviantART is counting down to its 100 millionth deviation! Join in on the fun and take a look back at some of the most noteworthy deviations we've seen along the way. The deviant who uploads the 100 millionth deviation could win a special prize, too. Hurry, we're going to hit the 100 million mark soon!














Comments
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my etsy shops: Mandyshaner.etsy.com and erisana.etsy.com
I don`t know if this is good or bad....
Dunno, but this image is Georgeous (write it rigth?
Really good ^^
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Warning - I Bite
Gwaar~
I don`t know if this is good or bad....
Dunno, but this image is Georgeous (write it rigth?
Really good ^^
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Warning - I Bite
Gwaar~
I don`t know if this is good or bad....
Dunno, but this image is Georgeous (write it rigth?
Really good ^^
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Warning - I Bite
Gwaar~
lesbijka, nie lesbijka - jak się ma skłonności, to bez różnicy, można to nazwać przyjaźnią - choć to bardziej efekt pośredni. de facto jednak, na to samo wychodzi.
chociaż zależy jeszcze, jak kto co rozumie pod słowem "lesbijstwo".. a zresztą.
cholerna psycho-analiza. -_-"
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Wiem, wiem, nie jestes, ale to cytat, i od razu do zdjecia komentarz
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We need to concentrate on more than meets the eye.
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"What Evil drives THE CAR!?"
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Front, back, side-to-side, this is how we love to ride!
The Sun and the Moon meeting in secret, for an endless instant, in a night of newmoon... the theme of a secret, difficult love, frowned upon by those who claim they're "normal" or "right", is clear, though not plain, in this magnificent work. The symbols on the two figures immediately identify the girls, but the colours of their dresses, the nuances in their hair give a stronger and more instinctive feeling of their (metaphorical?) identity. As any watercolour artist with a minimal experience would immediately recognize, the blue is called "the colour of shadow" for a reason, though the image is overall very light, the mood of it seems to be only whispering the message the author wanted to give. This message being so delicate and personal and deep, makes the whisper the best way of expressing it.
The tones of blue (possibly identifiable with silver) and emerald green, associated with the girl being "the Moon", are bright and shimmering, while the ocre (clearly a golden hue) and yellow on the girl being "the Sun" are undertoned and softer, exactly like in the dim light of night.
From an anatomical point of view, the figure on the left is well executed, excluding the hips, maybe too thin, while the shoulder is particularly well shaded and drawn; the right figure has defects on the face proportions, resulting in forehead and jaw lines being too long, while the neck has a truly convincing curve, and the breast's shading hints realistic softness and shape, also reflecting the hue of the "Moon"'s hand and dress.
The composition is not banal, and strongly dynamic, because the central subject is not physically centered in the frame, baing entirely kept in the left half of the working area. Though, the whole equilibrium of the composition is shifted on the right by the flow of hair and cloth. This has the power to suggest the observer the mood of the two girls, the passion that can't possibly be stopped, the rush, the transport, the tumultuous feelings that bind their hearts, like a twirling hurricane (seen in the spirals of the hair), or a flowing, lively, wild river (particularly expressed in the curves of the golden dress), a force of nature that can move mountains.
Overall, you succeeded in a very good work, showing a nice skill with watercolours, a good knowledge of anatomy and a passionate way of visualizing the subject. I must congratulate with you, is it enough of a message if I +Fav this?
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Graaaaaaaargh!!!
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